MARGARET QUALLEY

In Coralie Fargeat's brand new feminist terror movie The Substance, damaging popular beauty criteria are the true creatures. They (female objectification, the fingertip of "the old," the expansion of a field improved physical body customization) supply a creature of a pattern that leads Demi Moore's fading television individual character Elisabeth

In Coralie Fargeat's brand-new feminist scary movie The Substance, unsafe social beauty specifications are actually the real creatures. They (female objectification, the fingertip of "the aged," the proliferation of a business built on physical body adjustment) nourish a monster of a pattern that leads Demi Moore's fading TV individual character El